Influences
’80s soundtracks?
Jamiroquai?
Story
When I get most tracks in their album order, I like to reserve two slots for glue/transition tracks – reset things between songs that otherwise would sit oddly together, give some variety, and cleanup tasks like that.
This is the first – a chance to actually slow down the album in line with my goals. It came together in 4 hours – from hook to basically done – so that’s weird. Brilliance and laziness are indistinguishable in the trough of brevity, or something.
“Gedenkwald” is a German word meaning “memorial forest.” I adapted the name from the Neu! song “Gedenkminute (Für A+K),” which is similarly short and transitional. “Gedenkminute” means “moment of silence.” Mine would make sense as a reference if I had kept the “minute” bit instead of the solemn memory bit. But then how would I be mysterious? Hmm?
This is my wife’s favorite song of mine. It’s also one of my shortest. Connected? That’s a great Stereo MCs song, but no, the two facts are not connected. She just likes creepy soundtrack things.
Some press about it
“#Gedenkwald opens in a slightly different way with a bass solo at the front during the opening bars. Moving into the track we hear a door bell synth that is joined with aboriginal sounds. This is an experimental naturistic yet futuristic piece. I like it.” – Tamara Jenna, TJPL News
““Gedenkwald” thoroughly intrigues with its swampy murmuring effect and chiming key resonance, offering up an atmosphere entirely of its own.” – Obscure Sound
Next song: Flawed Soteriology